![]() At the same time, the rich classical mythological associations of Herrick‘s title, Hesperides, declare his status as an inheritor of the classical literary tradition, whose hallmark during the Renaissance was the melding of classical, Christian and secular associations into new and complexly polyvalent literary works. Instead, Herrick‘s deployment of specific genres and not of others, his chosen conventions for ordering a collection of miscellaneous poems, and his adoption of certain conventional poetic stances provide him with a semi-fictionalised way of declaring who he understands himself to be and how he wants himself to be understood. ![]() Although there is a significant overlap between the real-life Herrick and the Hesperidean Herrick, the two figures cannot be regarded as identical. ![]() This thesis is an attempt to re-moor a work of literature to its authorial origins particularly a work of literature in which the author-poet‘s self-referential markers are so overtly and persistently present as is the case in Hesperides and His Noble Numbers. Noble numbers English poetry - Early modern, 1500-1700 - History and criticism Date IssuedĢ010 Date 2010 Type Thesis Type Masters Type MA Identifier vital:2207 Identifier Description Literature has tended to be cut from the moorings of its authorial origins under the influential literary criticism of the past forty years. Herrick, Robert, 1591-1674 Criticism and interpretation Herrick, Robert, 1591-1674. Title Robert Herrick's self-presentation in Hesperides and his Noble numbers Creator
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