Adam Plunkett * And notice that the poem’s only other true rhymes add to the last line's sense of recollection - "grass" and "has," and "where" with the homophonous "hare" whose tresses could leave an imprint only with the weight of memory. That’s another way that charm and face are vain, preoccupied by appearances while love remembers just an imprint, not a sight to recall but an absence to fill. However, Auden adds another dimension to the. Summary Read a summary, analysis, and context of the poet's major works. His early writing follows the conventions of romantic verse, utilizing familiar rhyme schemes. When he began publishing poetry in the 1880 s, his poems had a lyrical, romantic style, and they focused on love, longing and loss, and Irish myths. He belonged to the Protestant, Anglo-Irish minority that had controlled the economic, political, social, and cultural life of Ireland since at least the end of the 17th century. W.H Audens In Memory of W.B Yeats is an elegy to commemorate the life and death of a great poet, W.B Yeats. Essays Further Study Buy Now William Butler Yeats is a poet who was born in 1865 and died in 1939. Yeats started his long literary career as a romantic poet and gradually evolved into a modernist poet. “Charm and face were in vain,” but for what and for whom? You can feel the conflict through the sounds: the off-rhymes like memories grasped for (“face” and “grass,” and “charm” and “form”) the end rhyme like memory found (“vain” and “lain”) * “face” and “face” repeated like a memory trace with no image, a lost experience. William Butler Yeats is widely considered to be one of the greatest poets of the 20th century. The poem shows the texture of memory - assertive and uncertain. But in the middle of all that formal shifting and even criticism of Yeatss life, Auden. The heart holds the form of what it loved long after its love hops away. But that’s the contrast between memory and life. 144 In Memory of Major Robert Gregory I Now that we're almost settled in our house I'll name the friends that cannot sup with us. Few living things leave imprints in the grass, let alone permanently. Editor's Note: As a putative fact, the second stanza is just false and is really kind of silly. One had a pretty face, and two or three had charm, but charm and face were in vain, because the mountain grass cannot but keep the form where the mountain hare has lain.
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